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Lover of all things film, ready to tell you what to avoid, and more importantly, what to seek out.

Wednesday 29 December 2010

I AM LEGEND (2007)

'Favourite book ever' is a very bold statement and should not be thrown around lightly, but I can honestly say that Richard Matheson's 1954 novel is one of the best books I have ever read. I am not the only person who rates it so highly either. Before the most recent cinematic effort, it has been adapted into two films with different names, The Last Man on Earth (in 1964, starring Vincent Price) and The Omega Man (1971, Charlton Heston), it has been very influential in the growth of the zombie genre and in making popular the idea of infectious disease being an apocalyptic possibility. George A Romero cites it as an influence for Night of the Living Dead and 28 Days Later clearly relies heavily on the book.

This particular adaptation, and I must stress that it is loosely based on Matheson's book, has been in the pipeline for a long time, at one stage during the 80's Ridley Scott was to direct with Arnold Schwarzenegger as the lead , but ultimately it fell to Francis Lawrence (Constantine) to direct and with Will Smith as Robert Neville, the last man alive on earth. Set in New York City, 2012, a viral cure for cancer has mutated and turned human-kind in to zombie like creatures, hungry for blood, vulnerable to daylight. Neville, colonel/scientist in the army, goes about his daily survival tasks (hunting deer in Times Square) during the day, while at night, hiding in his modern fortress of an apartment while he tries to find a cure for the plague.



The first part of the film sets all of this up, and I must say, it does it very well. The explanation of the virus is done nicely, with Emma Thompson in a nice cameo as the doctor responsible. We then leap forward 3 years. Manhattan as a wasteland looks brilliant, abandoned cars, overgrown foliage, eerie silence, it really does feel like a ghost town. Very much like the opening section of 28 Days Later, but less apocalyptic, more as though people gradually gave up. The idea of hunting deer in the centre of New York is also a nice little touch. Neville's isolation is ramped up as his only companions are Sam, his dog, and mannequins that he has named and left in local stores, engaging in banal chatter as he yearns for a semblance of normality. Well executed flashback scenes showing the chaos that erupts when the disease takes hold, add a bit more meat the story and also more depth to Neville's character.

At this stage I think it's worth mentioning Will Smith and his central performance. The choice of actor in this film is perhaps even vital than most other films, as the whole thing rests on their shoulders. This would not be a role for Keanu Reeves. Smith has come a long way from his days as the Fresh Prince and the drivel that was Wild Wild West, he really is an accomplished actor and he shows it again here. He does the pumped up action man stuff well, as you would expect, but it's the other moments that really stand out. There is a constant look of resignation on his face, no hope whatsoever. There are some very touching scenes where he tries to pluck up the courage to approach one of the mannequins, just to say hello. He also manages to portray the maximum amount of emotion possible in a scene with a dog. Turner & Hooch has nothing on this.

So far so good. Then the 'Darkseekers' (a.k.a. the infected) come on to the scene, which of course is when it should really hot up. Now I have two criticisms of the creatures, one is cosmetic and the other is a lot more important.

Firstly, for a reason only they will know, the makers of this film decided to have computer generated creatures. It just doesn't look right. The creatures are essentially zombies, and we have been so used to seeing the undead over the years as actors in (advanced) make up and prosthetics, the action feels physical and textile. It's what we know, and it's what we like. The CGI here isn't exactly top class, and you can tell it isn't real, it takes away from the threat of danger. It's all rather distracting. If it ain't broke, don't fix it.

The second point, is the decision to make them zombie-like. One the main reasons that the book is so interesting and arresting is that the creatures (in this case vampires) are by appearance, almost exactly the same as humans. Your neighbour John, still looks like John, sounds like John, still engages in the same banter that you had with John, but now he wants to kill you and is beyond saving. The enemy in this film is faceless, generic, bland, we've seen it all before. A huge chunk of originality has been removed and left in a wheelie bin outside.

So once the scene is set so well, it becomes a standard action/monster film that rattles along to its conclusion, which, I admit is not in the usual cannon of Hollywood cop-out happy endings and is quite satisfying, but does massively deviate from the 'Legend' that is meant in the source material, which as possibly my favourite ending to anything, is annoying to say the least.

So I was excited when I first heard about it, I was excited when it first came out, I was excited after the the first half an hour, but then it all quickly evaporated. 28 Days Later was influenced hugely by the novel I Am Legend, but the irony is, despite a promising start this adaptation feels like a dated rehash of Danny Boyle's film which is packed full of more originality and fresh ideas.

Right, I'm off to read I Am Legend again.

2 comments:

  1. A nice companion piece to your recent review of the Matheson-based THE BOX, this effectively summarizes the legitimate strengths and, alas, the inescapable weaknesses of Smith's LEGEND. For all of its own faults, THE LAST MAN ON EARTH is by far the most faithful version of the novel.

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