About Me

My photo
Lover of all things film, ready to tell you what to avoid, and more importantly, what to seek out.

Tuesday 7 December 2010

FOUR CHRISTMASES (2008)

Right, so it's Sunday evening. I've been away for the weekend to Bury St Edmunds. Done some Christmas shopping. Feel a bit groggy from the night before. Get back to the sofa, use my two pizzas for 10 quid voucher at Pizza Express. What next? Well, the girlfriend fancies something 'Christmassy'. She doesn't fancy Black Christmas, I don't really want to go down the Miracle on 34th Street route. That leaves the movie channels, which leaves us at a crossroads. Home Alone 2 or Four Christmases? One I have seen, the other I have not. One I have fond memories of from growing up, the other I have only heard bad things. Classic family comedy v ropey romantic comedy.

Perhaps it was the hangover. It may have been my hurt at being let down by the recent re-watching of National Lampoon's vacation. It may have even been sub-conscious pressure from the better half. Or a narcissistic desire to review something I don't think I will like. Whatever it was, I chose Four Christmases as we tucked into a Sloppy Guiseppe and a Pollo Ad Astra.



Vince Vaughn (new rom-com regular) and Reese Witherspoon play a couple, a couple who are happy as they are. They don't fancy marriage, they don't fancy kids. They are a 21st century pairing, happy with what they have and don't want to go down the ruinous route that their parents undertook, which has consequently left them both with two separate families each. Two families per character, 4 in total, Christmas day, 4 different Christmas celebrations. And that is essentially the set-up. Once their usual selfish holiday plans are put to the sword due to fog, they have to each visit the different factions of one another's families.

You have his bad tempered, red neck dad, her flirtatious, evangelical Christian, cougar mum, she also has a kind caring father, but he must visit his mother who now has a sexual relationship with his old best friend.

And that is it really. Not much else.

I sensed that the film makers saw 'Meet The Parents' and thought to themselves, 'that's a good idea - let's do four mini versions of that in one movie'. And that is all we have here. There is physical comedy (which is, I must admit, comical and, at times, well done) and then gross out, cringey gags that are predictable and far from laugh out loud.

It isn't particularly funny, but then it isn't exactly devoid of humour altogether. I chuckled twice (the girlfriend counted), nothing more, nothing less. Is that what constitutes a comedy these days? I should certainly hope not. Spaceballs and Airplane! managed the same amount in the credits sequence. Have standards slipped that much?

What is most upsetting is the great actors that appear. Jon Voigt, Robert Duvall, Sissy Spacek. Has it really come to this? You should all know better than this. Please do not be tempted by De Niro's turn in Meet The Parents. He is better than that, and so are you.

Jon Favreau and Vince Vaughn share screen time, and they have to resort to wrestling moves and kicks in the balls. These sequences are some of the only amusing moments, but these two bounced off one another in Swingers with dialogue that few people have emulated since. You two are 'money'. Please take me back to those times.

The film also tries to have a message. Please stop this. Don't do it, You can't have a gross out, inappropriate comedy for an hour and then decide that you want the main characters to fall in love all over again as they realise the error of their ways. I despised them at the beginning, what makes you think that I give a toss as to whether they live happily ever after and overcome the badly portrayed commitment phobias that they both have?

It could have been an interesting comedy, an insight into the modern family and how fractured Christmas has become. A study of the 21st century nuclear family or it dissolution. Instead it is an example of how fractured comedies have become, with little thought put into, and time spent on character and narrative. I criticised National Lampoons for it's broken and incomplete structure, and here we have the same problem, 20 years later. Has nothing changed?

Plus it doesn't feel remotely Christmassy. Four Christmases, not one but four, and not once does you ever make you long for Turkey, sprouts and bad telly. If it can't deliver on this, and it can't give you the laughs, what on earth is the point?

If this is what we have to resort to at this time every year, then Bah Humbug.

No comments:

Post a Comment